About me

“Lucio Amanti is a fine cellist and a very imaginative composer I enjoy his work very much” – Janos Starker

Italian cellist and composer, Amanti´s music is characterized by the integration of jazz and pop idiom into classical music forms.

Amanti studies in Italy and USA at the “Jacobs” Indiana University School of music, receiving a Performer Diploma and a Master of Music in Cello and “Jazz studies” with Janos Starker and David N. Baker.

Now Resident in Munich Germany, he alternates solo and composer career with collaborations ranging from Jazz to electronic music with artists like: Sue McKenzie (Salsa Celtica), Mohammed Reza Mortazavi, Ben Lukas Boysen (HECQ).

Since 2008 Amanti writes for commercials and Audiovisual (clients Audi, Siemens, Real); his instrumental compositions are published by Schott Music and are regularly performed by both students and established musicians such as: Eckart Runge (Artemis Quartet), Casals Quartet, Armida Quartet.

Lucio Amanti has also recorded two Solo albums, welcomed enthusiastically from both public and critics, that opened him the doors to international music stages such as: Jazz festival Edinburgh, der Leverkusener Jazz Tage, Rottweil Jazz Festival, “Theater on the Square Nelson Mandela” Johannesburg and the Salle Cortot and the UNESCO palace in Paris.

As a teacher M. Amanti gives lecture worldwide for institutions such as University of the Arts (UDK) in Berlin, Staatstheater am Gärtnerplatz Munich, UNISA South Africa, Indiana University and the international chamber music festival in Hohenstaufen (Germany).

This biography is to be reproduced without any changes, omissions or additions, unless expressly authorised by the artist or his management.

© Fabio Calvelli

it is like like hearing a string quartet but there is only one person on stage


With Eckart Runge and Jaques Ammon at the premiere of my Jazz Sonata in Trieste

The idea of writing a ‘Jazz Suite for cello solo’ came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and wanted to write a suite of dances.

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